Can you become invisible while light painting during night photos?

“Why don’t you show up in your night photos?” The answer to this invisibility is fascinating. Best of all, it’s fun and easy to do.

Time is your friend

Light painting images, even during a full moon, often involve long exposures. Many of my photos with light painting have long exposures of two minutes or more.

A night photographer’s superpower is invisibility

You and I as night photographers have this incredible superpower. But remember, with great power comes great responsibility.

Generally speaking, you need to stand still for at least 10 percent of the total exposure length of a photo to even begin to register. For a two-minute exposure, that’s 12 seconds. And at 12 seconds, you might just barely “register” in the photo, most likely as a slightly darkened spot in the image.

I wandered through the scene to get this soft but detailed look with the Joshua Trees.

If it takes two minutes to produce a properly-exposed photo, you would need to stand still for two minutes to be properly exposed.

If you stand still for one minute, you would look like a ghost.

If you stood still for 30 seconds, you would appear very faintly in the image.

And by 15 seconds or 12 seconds, you might appear as a very faint smudge that might not be all that noticeable, depending on which part of the image you’re in.

I wandered all through this scene to photograph this abandoned hangar. Three of us photographers was discussed invisibility while light painting on the Photofocus Roundtable podcast.

In other words, keep moving and you will be invisible. Now that’s an incredible superpower!

How to make sure you remain invisible

Don’t flash yourself

You’ll want to avoid shining the flashlight on you. There have been times in which my hands or feet or face have appeared in an image because I’ve mistakenly shined the light there. It happens! Sometimes, night photographers are momentarily stripped of our superpower.

Don’t shine the flashlight into the camera

I wandered all around this scene to be able to light this giant boulder in this manner. Joshua Tree National Park, CA.

If you don’t want to appear in the image, chances are you don’t want your flashlight to either. If you are in the frame, shield the light from the camera lens if you can. Some people such as night photographer Mike Cooper use cardboard to shield the light from the camera. I sometimes use my own body to do so. And sometimes, I use a homemade snoot.

Of course, on the other hand, if you are light drawing or light writing, by all means, shine your light source into the camera lens!

Sometimes, you CAN shine the light into the camera. And sometimes if you do, good things happen! Here’s the story behind this photo.

Wear black clothing

I stood still long enough to fully register in this photo. You can see the dark clothing I often wear for night photography with light painting.

The easiest step to take is to wear dark clothing. Black or super dark clothing absorbs much of the light you are using. I often wear a black hoodie so more of my head is covered. I even have dark gloves for those moments when the light is reflecting back on my hands. 

Save those white shoes and pants for your beach trip.

If you wish to show up in a night portrait, you would do the opposite if what I’m mentioning here, and have someone flash you with light and stand still for the entire exposure. Here, though, I still managed to backlight them and run through the scene without being seen. Mojave Desert.

Keep moving

The shorter the exposure, the more you have to move. Remember that 10% guideline I mentioned before? The longer the exposure, the easier it is to remain invisible. 

Invisibility can be your superpower too

Just remember to practice these things whenever possible, keep moving, and be mindful of the light. But know that you can continually walk through the frame of your long exposure image and still not be seen.

To photograph this, I had to wander in and out of both rooms. Invisible! This is an old jail in a ghost town in the Arizona desert. To learn more about how I went about light painting this photo, please click here!

Did you know that other photographers can turn people invisible too?

Night photographers are not the only ones who can turn people invisible in their images. Many architectural photographers want to photograph buildings without people showing up in their images. How do they do this?

They could clear the streets. Or they might use an ND filter to darken the incoming light to their lens so they can use a long exposure in their image. If people are walking past, they will become invisible. They turn invisible due to the same principle I’ve described in this article!

Can you think of any other kinds of photography in which you might want to render something moving invisible through long exposure photography?

VISIT ME, VISIT ME!

BOOKS AND PRINTS:
Head on over to the Ken Lee Photography website to purchase books or look at night photography and long exposure prints and more.  My books are available there and Amazon, Barnes and Noble, Target, Booktopia, Books A Million, IBS, and Aladin. If you enjoy the book, please leave a nice review, thanks!

NIGHTAXIANS VIDEO YOUTUBE PODCAST:

Night photographers Tim Little, Mike Cooper and I all use Pentax gear. We discuss this, gear, adventures, light painting, lenses, night photography, creativity, and more in this ongoing YouTube podcast. Subscribe and watch to the Nightaxians today!

SOCIAL MEDIA:
Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like)
Instagram

PODCAST:
Behind the Shot video podcast – interview February 2020

VIDEO PRESENTATION:

How We Got the Shots: Five Photographers, Five Stories – Night Photo Summit 2022

VIDEO INTERVIEW:

Ken Lee’s Abandoned Trains Planes and Automobiles with Tim Little of Cape Nights Photography
Conversation about night photography and my book with Lance Keimig of National Park At Night

ARTICLES:
A Photographer Captures Haunting Nighttime Images of Abandoned Buildings, Planes, and Cars in the American Southwest – Business Insider by Erin McDowell
A Photographer Explores Southern California’s Desert Ruins – Los Angeles Magazine article by Chris Nichols

 

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