I woke up early Monday morning and decided that I’d take some long exposure photos of the Ventura Pier.
I felt like I was at the beach for an hour, but I was there for almost three. The process of doing long time exposures seems to blur time. Michael Kenna mentions something that I believe has something to do with this quality.
“Getting photographs is not the most important thing. For me it’s the act of photographing. It’s enlightening, therapeutic and satisfying, because the very process forces me to connect with the world. When you make four-hour exposures in the middle of the night, you inevitably slow down and begin to observe and appreciate more what’s going on around you. In our fast-paced, modern world, it’s a luxury to be able to watch the stars move across the sky.” I love this quote so much that I devoted a blog post to it a few months ago. It really summarizes how I feel about photography.
This photo was taken with my trusty old 18-200mm lens, a lens I call my “walkabout” lens. Perfect for travel due to its flexibility. The camera was just above the shade of the pier, so I stood in front of the camera, blocking the sunlight from the lens. Let this be a lesson to you never to forget your lens hood – my folly is your gain! 😀
The glow of the water is from the morning sun, but the long exposure gives it a mystical quality. It is not “Photoshopped” in any way except for some of the usual contrast and sharpening. The cool otherworldly look is solely due to the long exposure!
Ventura Pier, Nikon D90, 18-200mm VR Nikkor lens, f/29, 10 second exposure, two Tifffen 0.9 ND filters – at Ventura Pier, California.
Joshua Tree Star Trails. This is a photo that I (Ken) took in the middle of a warm summer night. I brought out one of those zero-gravity loungers and looked up at the sky during the entire exposure. Indeed, as Michael Kenna describes in his quote below, the act of photography does connect us to the world. NIkon D90, 18-200mm VR lens, MC-DC2 remote release cord, and my father’s 1970s Sears metal tripod.
I love this quote and thought I’d share with you.
“Getting photographs is not the most important thing. For me it’s the act of photographing. It’s enlightening, therapeutic and satisfying, because the very process forces me to connect with the world. When you make four-hour exposures in the middle of the night, you inevitably slow down and begin to observe and appreciate more what’s going on around you. In our fast-paced, modern world, it’s a luxury to be able to watch the stars move across the sky.” – Michael Kenna in “Photographer’s Forum Interview” – Winter 2003 by Claire Sykes
“Jim Morrison” with Break On Through, an amazing Doors tribute band, 17 December 2011. Nikon D90 with a 50mm Nikkor f1.8 lens, 1/100, f/2, 1250 ISO. Break On Through to the Faster Side There’s nothing like a nice fast lens. … Continue reading →
Beautiful abstract colors. Can you tell what this is?
Fantastic details are all around you. But they can get lost, particularly when you are traveling, particularly at tourist sites, and particularly when you are freezing your you-know-what off.
This photo was taken at the El Tatio geysers in Northern Chile. There are 70 geysers at El Tatio, one of the highest fields of geysers in the world, containing about 25% of the world’s geysers. Lots of hissing steam – early morning steam that condenses in the bitterly cold morning air. The steam plumes disappear as the air warms up. And at 4200m (about 13,800 ft), the air gets darn cold. -8ºC (17 F), to be exact.
But the ground near the geysers and bubbling pools of smelly arsenic are some interesting things. If you look closely, you can see some amazing textures and colors. The details.
When I showed the above photo to my friends, some thought it was a satellite photo. Some thought it was taken in an industrial setting. And some did guess that it was some sort of hot pool or geyser.
El Tatio Geysers, Atacama Desert, Northern Chile
Equipment: Nikon D90, Nikkor 50mm f1/4 prime lens for the bubbling detail shot, Nikkor 18-200mm VR lens for the geysers with a Tiffen circular polarizer.
This father and daughter in the Atacama Desert of Chile were joking, having fun, goofing around. I chuckled, and they smiled at me. After a while, we had developed a rapport, and they were only to happy to continue the clowning while I took their photo. Nikon D90 with an 18-200mm VR Nikkor lens, 18mm, 1/125 second, f/3.5.
If you make a connection with people, you’re likely to have them agree to have their photos taken. You’re likely to get really great photos. And you just may make a friend or have memories you’ll treasure, whether you take their photo or not. And much of this is almost a “how-to” on how to have more fun when you travel or even explore your own area!
Smile and Ask First
Sneaky shots and far away shots don’t always come out so well. If you are exploring a market, at an athletic event or concert, walking around a city, and you see someone that you’d like to photograph, it’s better to smile, make eye contact, and ask first. It’s more respectful, and people usually respond to that. And if they don’t, then they wouldn’t have wanted their photo taken anyway. If you want to photograph their kids, who are often more willing to pose for photos at first, ask permission first. If you don’t speak their language, that’s okay. The universal pointing to your camera and a smile does the trick. Show them the photo if you have a digital camera. Some photographers will offer to send them a photo or bring a camera that allows them to print photos, such as the Polaroid PoGo, a digital camera with a built-in printer. Great ice-breaker. Consider shooting with a compact camera first. Some people find these less intimidating. Then if you wish, you can move to an SLR or DSLR later.
Show An Interest In People and Their Culture
Good manners and respect for people and their culture goes a long way. When people see that you are respectful of their culture, they know that you put in the time to learn some of their ways. That shows respect. That shows understanding. It shows interest in who they are. If I don’t know about a certain routine, ritual, custom, or whatever, I find out in a guidebook, ask a local, or stand and watch for a while so I can see what others are doing. This also allows me to enjoy the moment and not rush through everything as if it were simply a display.
A sure ice-breaker is to join in on the fun. What’s going on? Attend a local church or temple service. Join a game. Go shopping at a market. Watch a local football match in person. Go rafting, take lessons, do something. I’ve gotten some of my best people photos when I’ve joined in. I’ve made friends with sadhus in the Himalayas when I we hiked up to a temple together for three hours. I’ve met people while getting a shave on the streets of New Delhi. I’ve helped plant tomatoes and dry food on rooftops in Kashmir. I’ve tried to learn local dances in a small village in Peru. I couldn’t speak more than a few words with any of these people, but that was okay.
Don’t be afraid to look silly. If anything, that only helps break the ice. People don’t expect you to do everything well or be able to dance their traditional dances perfectly. But joining in and trying can create memories that will last a life time and make for fascinating stories to tell your friends or family. And those interesting photos that you take back will remind you of those amazing times.
Going to temple or a concert or standing in line or wishing someone happy birthday when they are celebrating or eating at a restaurant are all enjoyable, and all are further opportunities to establish rapport. I was waiting for food at a budget restaurant in the Atacama Desert in Chile. I saw a father playing and joking around with his young daughter, making funny faces and having fun. I chuckled, and they looked up and smiled. That was fun. We had also ordered similar food, and asked each other how it was. We started a conversation. I took photos of them together, still joking around, still having fun. This photo still brings back great memories. I’m not always looking to take photos of people, but I don’t like to pass up great opportunities either!
Learn a Few Words in Their Language
Learn the language of the country you are visiting, or at least a few words. This will often earn respect of people, particularly if it’s a more obscure language, and serves as a wonderful ice-breaker, helping you to connect. I’ve had people invite me to their homes, their temples, or their place of work simply because I learned a few words in their native language and they were touched. Making these connections will help you capture the spirit of the people, achieving far better photos…and maybe making a friend.
Think, Know, Plan (Okay, This Is Basically a Sixth Tip!) You need to work quickly to be spontaneous. Therefore, you need to know your camera and equipment well. If you fiddle faddle with your equipment, adjusting settings, messing with this and that, you risk losing the spontaneity of your subject.
Before you approach your subject, think about what you’re going to do. Plan your shot. Think about the lighting at hand, your composition, focal length, viewpoint, and the position you wish to shoot from based on how the light falls on your subject.
Equipment used for photo: Nikon D90, 18-200mm VR Nikkor lens