Halloween night photography: a creepy bunny, an abandoned Chevy truck, and a blue moon

On Halloween day, I was rumbling toward an old airfield, littered with rusting abandoned vehicles, airplanes, and more. I had just called the previous day spontaneously, wondering if I could run up and photograph at night. It was a special day. Yes, Halloween, but a Halloween with a blue moon. What could be better? I was only too happy to make the three and a half hour drive to the airfield for some night photography.

In honor of Halloween, I had also brought a bag full of creepy looking dolls. They’d be difficult to explain if I got pulled over by California Highway Patrol. Thankfully, the only thing I stopped for was gas and tacos.

Just the right amount of cobwebs, dust and rust

After photographing some rusty airplanes and trucks, I found the perfect setting for my Halloween photo. I opened the creaky door of an abandoned Chevy flatbed. The cab was perfect. Just the right amount of cobwebs, dust and rust. 

I became rather choosy about posing the bunny. The bunny should slump a certain way. I wanted the eye to look warily elsewhere. And also, I wanted one ear up, the other down. This was not something I usually did.

A bunny, truck, cobwebs, rust, and a blue moon: the perfect recipe for a Halloween night photo.
A bunny, truck, cobwebs, rust, and a blue moon: the perfect recipe for a Halloween night photo.

Setting up the camera

Satisfied, I set up the Pentax K-1, using a Lensbaby Edge 35 Optic. This creates these quasi-tilt-shift blurs, keeping a slice of the image in focus. During daylight, this lens is somewhat challenging to focus. At night, it was really difficult.

I managed to adjust the slice of focus so that it was on the eye and head of the bunny. The rest would fall into blur. I opened the shutter. Holding a ProtoMachines LED2 in my hand, I carefully shined it overhead, trying to get some texture and illuminate the bunny in an abnormal, creepy sort of way, keeping most of the cab in almost total darkness. I “grazed” some of the rusty springs, steering wheel and cobwebs with the light quickly, just for good measure. Satisfied that I completed the photo, I closed the shutter. 

A 75-second exposure, all done. Good, weird, creepy, and dark, just as it should be. 

I continued photographing among the creaky trucks and airplanes. Tonight was Halloween. Tonight was a good night.

VISIT ME, VISIT ME!

MY WEBSITE:
Head on over to the Ken Lee Photography website to purchase books or look at night photography and long exposure photos.  My latest book, “Abandoned Southern California: The Slowing of Time” is available there and Amazon, Barnes and Noble, Target, Booktopia, Books A Million, IBS, and Aladin. If you enjoy the book, please leave a nice review.

SOCIAL MEDIA:
Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like)
Instagram

PODCAST:
Behind the Shot video podcast – interview February 2020

VIDEO INTERVIEW:
Conversation about night photography and my book with Lance Keimig of National Park At Night

ARTICLES:
A Photographer Captures Haunting Nighttime Images of Abandoned Buildings, Planes, and Cars in the American Southwest – Business Insider by Erin McDowell
A Photographer Explores Southern California’s Desert Ruins – Los Angeles Magazine article by Chris Nichols

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How I got the photo: Rag doll atop a tricycle in a ghost town

Sometimes, spooky, creepy Halloween-type photos walk up to you with a demonic smile and say, “Hey, I’ve got it half set up for you! Bring it home!” And so it was at this Arizona ghost town. I was walking around at night with one of the volunteers who stays at the ghost town. I came across this scene with this red-headed rag doll sitting atop a tricycle. The universe had smiled upon me. I was meant to take this photo.

Setting up for snickering

Using a Feisol CT-3372 tripod, I positioned a Nikon D610 at “eye level”, using a Rokinon 12mm f/2.8 fisheye lens to make the scene look even weirder.  I did admittedly position the rag doll so she would be peering straight into the camera. While I did so, the volunteer started half-chuckling, half-snickering, saying, “You are one sick person. I love it!”

I wanted the room dark. There’s a fine line between a dark image and underexposure. I was going to try and walk that tightrope while still giving the shadows some detail.

Lighting it up

Then I took my ProtoMachines LED2 and used a white light from the right side to illuminate part of the rag doll, keeping the left side in shadow. I did this from a low vantage point so I would also create texture on the wooden floor. I handheld the ProtoMachines, as I almost always do, so I could light quickly and efficiently while the camera shutter was open.

I switched the ProtoMachines to a red light and briefly illuminated the circular Polly Gas sign in the back. With photos like this, any time I can make something look weirder, I’m all for it!

I chose to do a 61 second exposure, as I wanted to keep everything relatively dark while keeping detail in the shadows instead of being completely black.

When the volunteer peered into the LED monitor to view this photo, he cocked his head back and laughed. We had answered the smile of the universe, and all was good.

 

VISIT ME, VISIT ME!

MY WEBSITE:
Head on over to the Ken Lee Photography website to purchase books or look at night photography and long exposure photos.  My latest book, “Abandoned Southern California: The Slowing of Time” is available there and Amazon, Barnes and Noble, Target, Booktopia, Books A Million, IBS, and Aladin. If you enjoy the book, please leave a nice review.

SOCIAL MEDIA:
Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like)
Instagram

PODCAST:
Behind the Shot video podcast – interview February 2020

VIDEO INTERVIEW:
Conversation about night photography and my book with Lance Keimig of National Park At Night

ARTICLES:
A Photographer Captures Haunting Nighttime Images of Abandoned Buildings, Planes, and Cars in the American Southwest – Business Insider by Erin McDowell
A Photographer Explores Southern California’s Desert Ruins – Los Angeles Magazine article by Chris Nichols

 

 

Photo: Ghost of Topanga Past (Light Painting)

8307kenlee-topanga_2015-08-29-2031-177sf8iso400-4000k-flat-muted

It’s Halloween, and the ghosts are out. Es Halloween, y los fantasmas están fuera.  All illumination and color work was done during the exposure, and is not a Photoshop creation. Toda la iluminación y el color se trabajó durante la exposición, y no es una creación de Photoshop.

Ghost of Topanga Past (8307)
Photo: Ken Lee Photography
Info: Nikon D610, AF-S Nikkor 14-24mm f/2.8G ED lens at 14mm. Light painting/pintura de luz-ProtoMachines LED2, electroluminescent wire.
Topanga Canyon, CA USA/EE UU

Ghost of Topanga Past (8307)
Photo: Ken Lee Photography
Info: Nikon D610, AF-S Nikkor 14-24mm f/2.8G ED lens at 14mm, 2015-08-29 20:30 177s f/8 ISO 400 4000K. Light painting/pintura de luz-ProtoMachines LED2, electroluminescent wire.
Topanga Canyon, CA USA/EE UU

#ghost  #lightpainting   #pinturadeluz   #fantasma   #topanga   #topangacanyon   #kenlee   #kenleephotography   #elwire   #longexposure   #night   #nature   #nightphotography   #largaexposicion   #fotografianocturna   #nocturna

 

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!

Photo: The Haunting (Topanga – light painting photography)

It’s Halloween, and the ghosts are out. Es Halloween, y los fantasmas están fuera. All illumination and color work was done during the exposure, and is not a Photoshop creation. Toda la iluminación y el color se trabajó durante la exposición, y no es una creación de Photoshop.

The Haunting (8315)
Photo: Ken Lee Photography
Info: Nikon D610, AF-S Nikkor 14-24mm f/2.8G ED lens at 14mm, 2015-08-29 21:36 182s f/8 ISO 200 4000K. Light painting/pintura de luz-ProtoMachines LED2, electroluminescent wire.
Topanga Canyon, CA USA/EE UU

#ghost #lightpainting #pinturadeluz #fantasma #topanga #topangacanyon #kenlee #kenleephotography #elwire #longexposure #night #nature #nightphotography #largaexposicion #fotografianocturna #nocturna #fullmoon

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!