My favorite music for culling and editing photos

What do you listen to when culling or editing photos? I would love to know. I have a shortlist go-to music that I’ll share.

Ambient music

I listen to a lot of instrumental ambient music. And one of my favorite artists in this genre is Brian Eno. His music is sonically rich and complex enough that it pleases my ears while providing a beautiful soundtrack for culling and editing photos.

I also enjoy Andy Othling’s “Morning Care” series, which he performed live during the pandemic. He manipulates electric guitar with various pedals into a deep landscape of sounds. Like Eno, it’s sonically rich while still not being too distracting. 

I play music, and don’t typically listen to what I’ve done. However, there are exceptions. This includes The Mercury Seven. Usually, I listen to “mcmlvii.”

Jazz

Pharoah Sanders performing live at Catalina Bar and Grill in Los Angeles, March 2011. He has played with luminaries such as the ever-passionate Billy Higgins and Alice Coltrane. He is musical joy personified in person. This was taken before I began doing night photography. You may be able to see a Herman Leonard influence here.
Pharoah Sanders performing live at Catalina Bar and Grill in Los Angeles, March 2011. He has played with luminaries such as the ever-passionate Billy Higgins and Alice Coltrane. He is musical joy personified in person. This was taken before I began doing night photography. You may be able to see a Herman Leonard influence here.

I sometimes listen to jazz, but I won’t go for the skronky stuff most of the time while editing. My shortlist includes Miles Davis, Alice Coltrane, kozmigroov stuff like Herbie Hancock and Dave Brubeck Take Five.

Below is Alice Coltrane’s “Journey Into Satchidananda.” As an aside, I knew her for many years, going to her ashram and having dinner with her once. To describe her as extraordinary doesn’t even do her justice.

Metal

Curiously, though, every once in a while, I listen to metal. I usually go for classic metal like Iron Maiden and Judas Priest as well as Tool and Testament. Sometimes, I listen to more contemporary metal. I’ll share Judas Priest “Firepower,” a relatively recent album for them, just to show that they’ve still got it.

Random 

From time to time, I also listen to the following as well while culling and editing. 

  • Anna Thorvaldsdottir: “In the Light of Air.” This is an Icelandic artist. There are numerous Icelandic artists that create great music for creating a sense of openness, wind-swept mountains, and more. 
  • Sade: “Lovers Rock.” This beautiful album takes me back to sitting in the beaches of South Thailand. Gorgeous melodies.
  • Harold Budd and Brian Eno: “The Pearl.” Ambient goodness.
  • Brian Eno: “The Shutov Assembly.” Often overlooked by Eno fans.
  • Ethiopiques 11: Alemu Aga — The Harp of King David. This is an unusual deep sound that is mystical and ancient.
  • “Timeless: Ali Akbar Khan & L. Subramaniam,” Universal Music India Pvt., Ltd., 2002, Made in India. Probably difficult to track down now, but worth a listen. This is my favorite Carnatic raga.
  • Brian Eno: “On Land.” Evokes another world, diffused glows, and unusual sounds. Very rich and textured.
  • Henryk Gorecki: “Symphony #3.” An absolute classic, and one of the greatest minimalistic classical pieces ever created. Dawn Upshaw’s vocals are transcendent and heart-wrenching.
  • Hamza El Din: “Eclipse.” Sensual.
  • Rebab and Female Singing of Central Javanese Gamelan (World Music Library). Unusual gamelan music, creating a rich tapestry of rhythms and textures.
  • Cluster live USA 1996. Improvisational electronics done by some of the best, all done live.
  • Future Sound of London: “Lifeforms.” A 1990s ambient classic.
  • Vidna Obmana: “Memories Compiled.” Evocative ambient music.
Pharoah Sanders performing live at Catalina Bar and Grill in Los Angeles, March 2011. I found myself with an enormous smile throughout the entire show. I've seen him perform three times, all at the same place. Once again exhibiting a bit of influence from Herman Leonard.
Pharoah Sanders performing live at Catalina Bar and Grill in Los Angeles, March 2011. I found myself with an enormous smile throughout the entire show. I’ve seen him perform three times, all at the same place. Once again exhibiting a bit of influence from Herman Leonard.

Please share music that you love to listen to while culling and editing your photos! I would love to hear your choices!

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PODCAST:
Behind the Shot video podcast – interview February 2020

VIDEO INTERVIEW:
Conversation about night photography and my book with Lance Keimig of National Park At Night

ARTICLES:
A Photographer Captures Haunting Nighttime Images of Abandoned Buildings, Planes, and Cars in the American Southwest – Business Insider by Erin McDowell
A Photographer Explores Southern California’s Desert Ruins – Los Angeles Magazine article by Chris Nichols

 

 
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Featured Photo: My Eyes Have Seen You, Let Them Photograph Your Soul

"Jim Morrison" with Break On Through, 17 December 2011

“Jim Morrison” with Break On Through, an amazing Doors tribute band, 17 December 2011. Nikon D90 with a 50mm Nikkor f1.8 lens, 1/100, f/2, 1250 ISO.

Break On Through to the Faster Side
There’s nothing like a nice fast lens.  I like shooting concert photos with natural light most of the time, and a fast lens always helps.  I’m using the Nikkor 50mm f/1.4, which at $300, is a pretty good bargain.  There’s another 50mm lens, the f/1.8, for scarcely more than $100, which is a steal.  Dark light?  With a big aperture, I can still shoot at 1/100 and “freeze” the action without getting too much noise (grain).

I like to wander.  I took the above photo of “Jim Morrison”, singer of the Doors tribute band Break On Through”, while standing next to the drummer on stage.  I really like the look of someone who is backlit.

The Legendary Pharoah Sanders

Who is the Pharoah Of Them All? The legendary Pharoah Sanders at the Catalina, this one taken with the same Nikon D90, but with a much slower lens, an 18-200mm VR, shot with a rather “low tech” method of minimizing camera shake! 😀

Take It As It Comes
Sometimes, you don’t always have what you need.  Here at this gig with the legendary Pharoah Sanders at the Catalina, I didn’t own the faster lens, and had considerably slower 18-200mm VR Nikkor zoom lens.  I got away with less movement by using the VR (Vibration Reduction) technology AND by squeezing the camera tight against one of the posts to minimize camera shake while shooting.  I still picked up a bunch of noise from having to bump my ISO quite high, so I had to spend a little time in Photoshop cleaning that up.  But my philosophy is that I’d rather get the shot with a little noise than not get the shot at all.  And this photo has been one of my most popular concert photos, and something I personally treasure.

Equipment:  Nikon D90,  50mm f1/4 (first photo); 18-200mm VR Nikkor lens (2nd photo)