Ocean Conservancy is having a contest to raise money to save marine wildlife. My photo is in the contest. Please vote today and save our friends in the sea.
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Info: Nikon D90, Nikkor 18-200mm VR lens, Energizer headlamp for “light painting” the dragon. Composite of 12 individual photos totaling six minutes. Each individual photo was f/7.1 and ISO 200 (due to an almost full moon) for 30 seconds. Sculpture by Ricardo Breceda.
Photography: Ken Lee
Location: Borrego Springs, California, USAThis photo was taken along with my friend and photographer Mike Shelton during an extremely fun day.
Info: Nikon D7000, Nikkor 50mm f/1.4 lens. 1/40s, f/3.2, ISO 1250. Lit with porch light and backlit with my Energizer headlamp.
Photography: Ken Lee
Location: my backyard
For the past two years, a spider has created a very large circular web from our orange tree to the bird house. This time, I thought I’d photograph it. This was no easy feat, of course. It was dark. And the web kept swaying, making it almost impossible to focus.
My loss is your gain. Hopefully. We’re going to discuss keeping your camera dry while photographing around splashing water this month. I want to be up front here: I am not an expert at this, as you shall quickly read! But if I can help people by having them avoid the mistakes that I made, that would be great.
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Title: Bowling Ball Beach 2
Info: Nikon D90, Tokina 11-16mm f/2.8 lens, Feisol tripod, f/14, ISO 200, 10-second exposure, which makes the movement of the water look mystical. This was possibly the last photo that I took with my D90, although it looks good that a camera technician can resurrect it now.
Photography: Ken Lee
Location: Bowling Ball Beach, Mendocino County, California, USA
Shortly after I took this photo, I was splashed with water. These large round rocks in a row create odd, unexpected, and surprisingly high splashes, and even though I had a Ralph’s paper bag around my Nikon D90 camera, it still got wet.
Mistake 1: A Ralph’s plastic bag is not enough. Use something more like a Op-Tech rain-sleeve. If you don’t get one of these, you can also use a shower cap in a pinch. Save those shower caps if you stay at a hotel. There are more expensive albeit more effective options, but since we’re discussing occasional splashing water from waves, I’ll stay with these suggestions.
I wiped off the camera with a towel. It didn’t seem like that much water, so I fired up the camera again and kept shooting for another half an hour.
Mistake 2: You can’t fry your camera’s circuits if there’s no juice. Turning on the camera, in other words, can fry your circuit-board or other parts if the salt water has entered the camera.
After half an hour of shooting, my camera began failing. The shutter wouldn’t close. Or wouldn’t shoot. Then, the LED monitor began failing. I left the beach and headed back to the hotel room, realizing that I had made a mistake, and opened up the camera, taking the battery and SD card out, took the lens off, and put it in front of a heater while I called a camera store to find out what to do and began scouring the internet for tips on drying a camera.
Mistake 3: The camera salesman said that I shouldn’t put the camera in front of a heater. I never found out why. Maybe you know. I don’t. But I saw one reference on the internet for getting dirt in the camera. Now, to be fair, I had placed the camera in front of a fake fireplace, so it wasn’t blowing air. But the best way to dry a digital camera, according to the salesperson and some articles I’ve found on the internet, is to submerge it in dry (duh!) rice and keep it there for 3-7 days. Other people recommend placing the camera in a zip-loc bag with silica packets, which will also draw the moisture out. I store my microphones in containers with these.
I ran to the market and purchased some rice, emptied a bag, and completely submerged the camera, but only after I found that I had made yet another mistake, which were beginning to pile up in a relatively short period of time.
Mistake 4: Don’t forget to take off the LED cover. I had forgotten to do this, but right before I put the camera in, realized that there was moisture trapped underneath. My camera had gotten doused worse than I thought.
Now, what was worse than getting the camera wet was getting it wet with salt water. Salt water is extremely corrosive. Some people recommend that you attempt to disassemble the camera, quickly rinse all of the parts, and even more quickly dry that. Since I’m not even close to an expert, I cannot recommend this, nor have I ever done it. But the point being that if you can try and get the salt water off, that would be best.
Upon getting home, I took my camera to the local camera store. They have a reputation for good service and have a good technician. Their technician said that I had fried a circuit board, which would cost US$71 dollars, and that there would be a labor charge of about US$95. So for a little under US$170, it appears that my D90 will be resurrected. And while that’s a lot of money, it’s still cheaper than replacing it.
And for the rest of the trip, I used the Op/Tech 18″ SLR Rainsleeve with another camera while photographing the coastline near Santa Cruz, which worked well, although I had difficulty viewing the LED monitor.
Equipment: Nikon D90, Nikon 18-200mm VR II Nikkor Telephoto Zoom Lens, Nikon SB-600 Speedlight, Sto-Fen Flash Diffuser.
Equipment: Nikon D7000, Tokina AT-X 116
Light painting and “stacked” multiple exposures during a hot night in the desert near Lone Pine, California. The stacking was done in Photoshop CS4 to have a little more control over the light painting and to reduce noise. This also marks the first time I used Noise Ninja to clean up the noise. While it wasn’t bad at all, I felt that a little cleaning up was better, so I selectively “de-noised” parts of the photo via layer masking.
Title: Mobius Arch Polaris Star Trail
Info: Nikon D90, Tokina 11-16mm f/2.8 lens, Feisol tripod. 65 minutes total, composed of 130 30-second photos, all ISO 1600, f/4.5. Light painted with my handy head lamp.
Photography: Ken Lee
Location: Alabama Hills near Lone Pine, California, USA.
A hot evening, especially when running around “light painting”. But I also had a chance to lay on my back and watch the stars. I actually began dozing off when a car pulled up. You can see some of the light from the head lights on the arch.
The swirling stars are magical, a result of the long exposure of the camera capturing the movement of the stars. Polaris, the North Star, is in the middle, and all the stars appear to rotate around it, this movement, of course, primarily a result of the rotation of the earth.
On this post, I’m going to discuss Bodie, one of the most fantastic ghost towns I’ve ever seen, more than this photo specifically. Bodie, north of Mono Lake, was a mining town, and one of the first towns to get alternating current electricity from Westinghouse, several years before the White House.
Bodie was infamous as a dangerous town, and the “badman from Bodie” was that era’s “bogey man”. Bad men, whiskey, whoring, gambling and more were endemic to Bodie. The Bodie brochure says that “by 1879, Bodie boasted a population of 10,000 and was second to none for wickedness, badmen, and ‘the worst climate out of doors’ One little girl, whose family was taking her to the remote and infamous town, wrote in her diary: ‘Goodbye God, I’m going to Bodie.’ The phrase came to be known throughout the West.”
The brochure also states, “killings occurred with monotonous regularity, sometimes becoming almost daily events. The fire bell, which tolled the ages of the deceased when they were buried, rang often and long. Robberies, stage holdups and street fights provided variety, and the town’s 65 saloons offered many opportunities for relaxation after hard days of work in the mines. The Reverend F.M. Warrington saw it in 1881 as ‘a sea of sin, lashed by the tempests of lust and passion.'”
A ranger at Bodie told two stories.
One was of two men who got in a fight outside a saloon. Standing only 6-8 feet apart, each drew six-shooters on the other, emptying their bullets…none of them striking their adversary.
Another was of theft. Trees do not grow near Bodie, and in the extremely cold, windy winters at 8600 feet, wood was a very scarce and expensive commodity. So one person was dismayed to find that his stash of firewood kept getting smaller and smaller. To address this, he placed some black powder in one hollowed out log, and placed it back on the pile. Later that evening, a neighbor’s house exploded furiously, so much so that it could be heard miles away. His wood was never stolen again.
Oh, and yes, this is a photography blog, so the photo. I’ve been using the Tokina 11-16mm since April, and absolutely love it. This one was simple. I just got down on my stomach, focused on the wagon wheel, and went for it. No processing except for a little sharpening and contrast, the usual things that you do with a RAW file. There were no filters used. I don’t have a circular polarizer for the wide-angle because it creates bands, so yes, the sky really was that blue.
Equipment: Nikon D90, Tokina AT-X 116 Pro DX AF 11-16mm f/2.8 Lens For Nikon