My “Abandoned Southern CA” book featured in Business Insider!

Hello, I was recently interviewed by Business Insider journalist Erin McDowell for my new book, “Abandoned Southern California: The Slowing Of Time” (America Through Time). Click here to see the article and 25 night photography photos!

Here’s some photos from the book, available on Amazon and kenleephotography.com. Thanks so much for looking.

 

How I Pack For Night Photography

How you pack and organize your belongings directly impacts your experience. This is true of all forms of photography, but perhaps especially night photography. After all, you will need to access your belongings repeatedly in the dark. I am going to describe how I am currently packing for my night photography trips. And probably like you, this will change over time. Even if you don’t do night photography, you might find much of this useful as general organizing and packing tips.

 

The camera backpack I use for hiking and traveling when photographing at night

 

There’s no such thing as a perfect camera bag, of course. But so far, I’m loving this Tenba Solstice 20L bag. It’s comfortable even despite the weight, has sufficient padding to protect the gear well, and is logically laid out. It also stands up easily on its own, as the bag, like many Tenba bags, holds its own shape due to the padding. It’s also water-resistant and even has a waterproof bag inside the top compartment, should you need to use it. As a bonus, it doesn’t scream “I am a camera bag” to others, although it does look like an extra nice backpack, something the average person might not use for muddy socks and underwear.

It also has deep side pockets for drinks or other gear. Most of the places that I photograph are in the desert, so it’s good to have lots of drinks. I can easily fit two 32-ounce drink bottles on my backpack, one in each side pocket. I usually keep drinks in the side pouches because if there’s a leak, it won’t leak into my gear. If I only need one bottle, I will sometimes keep a roll of orange gaffer’s tape in one of the side pockets.

 

Back access to the camera bag

 

I prefer to have a camera backpack that opens from the rear. This is so if it is muddy, I can access all my gear without taking off the backpack. If my waist strap is on, I simply take off the shoulder straps and turn the backpack around so it is facing me and then access everything from the back without having to take the backpack off and put it on muddy ground.

 

With the back open, you can see that I have two cameras. On the left is the rather large and heavy Pentax K-1 with an attached Pentax 15-30mm f/2.8 lens. On the right is a Nikon D750 with a Rokinon 12mm f/2.8 lens. Above the cameras is a large microfiber cloth, and to the right of that, two Vello Shutterboss II intervalometers. One of them is for the Pentax since its connector differs from Nikon connectors. To differentiate, I have this labeled with orange tape that says “Kentax” (see what I did there?). Above the cloth and intervalometers is a thin yellow bag. That is a small emergency first aid kit. And above that is a Think Tank pouch with chargers and random things.

 

What goes on the top compartment?

 

This is a view of the bag looking down. I have removed the gray Think Tank bag for this photo. The idea of the Think Tank bag is that I keep all my belongings that I ordinarily don’t need out in the field, such as battery chargers, USB cables and various other accessories. I leave these in the car or in the motel room.

After I remove the gray Think Tank bag from the camera backpack, I have lots of room. Right now, I have the yellow first aid kit, a Nikon body cap, and an extra LensPen. This hardly takes up any space. What I usually place in here when I am about to photograph are things like snacks and an extra shirt or jacket and a beanie.

Sometimes I put a roll of orange gaffer’s tape inside as well. Gaffer’s tape makes everything right. You can tape down the focus ring of your lens, tape cables to keep them out of the way, keep a broken battery door from flapping open, or a thousand other uses. It’s the secret weapon in your night photography bag, the tool that makes everything alright.
Inside the zipped pouch you can see a yellow Allen wrench, a spare remote shutter cable release, and a small microfiber cloth. You can never have too many microfiber cloths. I keep these here because I may need to access this in the field, but it’s not something I really need unless something on the tripod loosens or some other emergency.

Exterior pouch to keep things easily accessible

I like to keep my light painting equipment easily accessible. This is a pouch that I purchased at an Army/Navy surplus store. Inside I store the ProtoMachines LED2 light painting device that I use for almost every night photography outing. The ProtoMachines is a high-end handheld light painting device that is capable of producing all colors of the RGB spectrum, also giving you full control over saturation and brightness. It also allows you to store eight presets and has a timer. I use the timer sometimes, although I do still count to myself when doing light painting. But most importantly, it has the most beautiful light for light painting I have ever seen.

I also have pepper spray inside this pouch, which I keep for protection. I’ve never had to use the pepper spray, and hope I never will. I sometimes remove the holster from the backpack and wear it on my belt if I am not going to have the entire backpack with me for evening easier access.

 

What is all the tape for?

The white tape is glow-in-the-dark tape, while the orange tape is just some horrible looking gaffer’s tape that I should remove but have not. This is the light painting device of a working night photographer. It ain’t pretty, but it’s functional and harder to lose in the dark.

 

Storing small things conveniently in the front compartments

Finally, a view of the front compartment of the Tenba bag. Here, I keep a plastic cover for the camera if it begins sprinkling or if I am doing photos near a waterfall or the ocean. Salt water and electronics do not mix. You can see the white string of this bag peaking out on top.

 

Lots of batteries

Below that, you can just barely see some orange battery holders. I use these for storing extra batteries for the ProtoMachines and the intervalometers. Easy access. And in the innermost pocket at the bottom of the photo, you can see several battery organizers, one for the Pentax K-1, the other for the Nikon D750. I like having lots of extra batteries because you never know how many batteries you are going to plow through on a cold night. Better safe than sorry. I prefer these battery organizers because it keeps everything neat and accessible, but also because the contacts of the batteries never meet. Also inside is an SD card holder, which you can barely see…you can see the thin yellow stripe.

 

Where does the tripod go?

When I am doing night photography, I usually carry a 26″ Feisol carbon fiber tripod. If I wanted to, I could attach this tripod to the side pocket and strap it in or use straps and strap it to the front of the backpack. However, in practice, I don’t do this unless I am hiking relatively far. If there is one weakness of the Tenba Solstice 20L, it’s that it is not the best backpack I’ve had for attaching large tripods. Then again, many people don’t have a tripod larger than 26″. Regardless, I can carry all the equipment you see here and still be able to slide it underneath the seat of an airplane. I’ll live with the trade-off.

 

Finding your way in the dark

I keep everything in a specific place, and can find everything even when it is completely dark outside. If I don’t want to blow out my vision because it is dark and I am trying to photograph Milky Ways, I can still access my belongings without turning on my headlamp.

I hope this gives you some ideas. How do you pack for night photography? What would you do? Feel free to start a conversation below in the comments section. Thanks for reading.

-Ken

 

VISIT ME, VISIT ME!

MY WEBSITE:
Head on over to the Ken Lee Photography website to purchase books or look at night photography and long exposure photos.  My latest book, “Abandoned Southern California: The Slowing of Time” is available there and Amazon, Barnes and Noble, Target, Booktopia, Books A Million, IBS, and Aladin. If you enjoy the book, please leave a nice review.

SOCIAL MEDIA:
Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like)
Instagram

PODCAST:
Behind the Shot video podcast – interview February 2020

ARTICLES:
A Photographer Captures Haunting Nighttime Images of Abandoned Buildings, Planes, and Cars in the American Southwest – Business Insider by Erin McDowell
A Photographer Explores Southern Caoifornia’s Desert Ruins – Los Angeles Magazine article by Chris Nichols

BOOK AUTHOR EVENT MARCH 22 2020:
And hopefully I will see you March 22nd 2020 at 5 pm Valley Relics Museum for a brief slide show and presentation for my new book “Abandoned Southern California: The Slowing of Time”.  Get there early to check out the museum.
Address: 7900 Balboa Blvd. C3 & C4 Entrance on, Stagg St, Van Nuys, CA 91406

 

 

How I find interesting foregrounds and locations for night photography

Composition is key

My philosophy is that regardless of whether it you are photographing the night sky or not, it’s all about the composition, where the subject matter still counts. And rarely for me is the night sky the subject matter. I’m particularly fascinated by the marriage of sky and earth. Astrophotography and deep sky photography hold less interest for me personally.

What I use to find new locations

I devote quite a bit of time to finding interesting areas. When researching new locations and determining how to approach photographing them, I use a combination of Google Maps, the history of a region, looking at old photographs, driving around the area, other photographer friends, blogs, old maps, and Facebook groups about a particular subject matter. If I think there are some ghost towns or abandoned houses in a particular region, I’ll also try to see if I can find abandoned places on Google Earth.
I try not to copy other people’s photographs. Also, I don’t actively seek to photograph some locations there despite it having great subjects if 1.) I feel like I can’t say anything that hasn’t been said before, and 2.) they are too crowded, which isn’t the sort of photographic experience I’m after. Locations like this would include Mesa Arch at sunrise, Kanarra Creek Canyon, the sun shining on Horsetail Fall in Yosemite in February, Horseshoe Bend, and Antelope Canyon. This is not a condemnation of anyone photographing these locations. They are stunning locations for photography. Because of #1 and #2, they simply hold less interest for me.

Scouting the location

Ideally, I hike around the area during the day and return at night, although that doesn’t always happen due to time constraints or life throwing one challenges. When I’m in the area during the day, I usually try to make notes about where the moon might come out, how the foreground subject will be illuminated, or where the Milky Way might be, things like that. I use apps such as PhotoPills to help determine things such as this. And of course, I am always thinking about how I might “light paint” the foreground so that I can create visually strong and creative images. “Light painting” is illuminating the foreground while the camera shutter is open, acting almost like the director of a movie, determining what to illuminate, and what to keep in shadow. This helps the image to tell a story about the place.

On the lookout for anything weird or interesting

I photograph a lot of abandoned items that I found interesting, but really, anything that’s interesting is something that I love to photograph, including fantastic natural landscapes or unique features. Often, the weirder, the better. Sometimes, I’ll look for something of historical interest. I also love locations that have captured my imagination as a kid, such as anything with dinosaurs or the house from “Butch Cassidy and the Sundance Kid.”

Safety

I also look to see whether there might be streetlights in the area or there might be some danger in walking. I look for sharp cactus, floorboards that are about to give way, the potential for for animals or people, homeless encampments, or anything else that makes me wary.

Inspired by themes

Finally, I am working on two more night photography books on abandoned sites, both of which have themes. Themes are fantastic because they drive me to seek out these things more, and make it a lot of fun! I also record music this way by having this sort of theme, and it serves as a guidepost for what one seeks out or does. I often find myself thinking about the approach in novel ways, and that can create additional creativity.
What foregrounds interest you? What methods do you use to find fascinating foregrounds and cool abandoned sites? Let us know in the comments section!

VISIT ME, VISIT ME!

MY WEBSITE:
Head on over to the Ken Lee Photography website to purchase books or look at night photography and long exposure photos.  My latest book, “Abandoned Southern California: The Slowing of Time” is available there and Amazon, Barnes and Noble, Target, Booktopia, Books A Million, IBS, and Aladin. If you enjoy the book, please leave a nice review.

SOCIAL MEDIA:
Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like)
Instagram

PODCAST:
Behind the Shot video podcast – interview February 2020

ARTICLES:
A Photographer Captures Haunting Nighttime Images of Abandoned Buildings, Planes, and Cars in the American Southwest – Business Insider by Erin McDowell
A Photographer Explores Southern California’s Desert Ruins – Los Angeles Magazine article by Chris Nichols

Sunset, Morro Rock (Sun Flare)

Please click on the photo to view it larger and more clearly, thanks!

0904_kenlee_2016-12-28_1613_morrobay__morrorock-almostbw

Sunset, Morro Rock, CA, from our trip to Morro Bay.

Nikon D7000 and Tokina 11-16mm f/2.8 lens, handheld. 0904.#‎nightphotography #‎night #‎lightpainting #‎abandoned #‎california #kenlee #fotografianocturna #pinturadeluz #abandonado #MyRRS #feisol #noche #luna #moon #ruins #urbex #urbanexploration #desert #awesomeearth #awesomeglobe #beautifuldestinations #WeOwnTheNight_CA #shutterbugpix #nikon #mojavedesert #mining #television

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!

Breezy Cottage By The Sea (Long Exposure Light Painted Night Photo)

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Please click on the photo to view it larger and more clearly, thanks!

Breezy Cottage By The Sea (5011)

Bombay Beach, Salton Sea, California, U.S. This is a real photo taken at night. This evening, everything was illuminated by a big bright moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated parts of this scene with a handheld LED flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. 😀

The streaks in the sky are stars, showing the movement across the sky while the camera shutter was open and capturing the photo. The movement of the stars are created by the rotation of the earth, and the long exposure photo shows these movements over time. I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken

Ken Lee Photography
Nikon D610/14-24mm f/2.8, 138 seconds f/8 ISO 200 Oct 2016

#‎nightphotography #‎night #‎lightpainting #‎saltonsea #‎abandoned #‎california #kenlee #mineralspa #fotografianocturna #pinturadeluz #abandonado #MyRRS #feisol #noche #luna #moon #ruins #urbex #urbanexploration #desert #awesomeearth #awesomeglobe #beautifuldestinations #WeOwnTheNight_CA #shutterbugpix #nikon #saltonsea #bombaybeach

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!

One Eyed Dodge – Light Painted Night Photo

Please click on the photo to view it larger and more clearly, thanks!

4820_kenlee_2016-10-15_0040_pearsonville-174sf8iso200-dodge-front-cloudswhoosing-1000px

One Eyed Dodge (4820)
Pearsonville Auto Salvage Yard, Mojave Desert, California. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.

This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I used a handheld LED flashlight to illuminate the automobile, and then used it with a homemade snoot to hit the front headlights to make them glow a bit more while the camera shutter was open for a long time. This is not a post-processing creation. No pixels were harmed during the creation of this photo. 😀

I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken

Nikon D610/14-24mm f/2.8, 174 seconds total @ f/8 ISO 200. Oct 2016. I photographed this with Tim Little, Steve McIntyre, and Troy Paiva near a full moon. Troy is an enormous pioneer in light painting night photography.

#kenlee #fotografianocturna #pinturadeluz #abandonado #MyRRS #feisol #noche #luna #moon #ruins #urbex #urbanexploration #desert #awesomeearth #awesomeglobe #beautifuldestinations #WeOwnTheNight_CA #shutterbugpix #edsel #nikon #mojavedesert #pearsonville #‎nightphotography #‎night #‎lightpainting #‎abandoned #‎california

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!

The Electric Truck – Light Painted Night Photo

Please click on the photo to view it larger and more clearly, thanks!

4767_kenlee_2016-10-14_2020_pearsonville-184sf8iso200-brownelectricaltruck-closeup-blueinterior-1000px

The Electric Truck (4767)
Pearsonville Auto Salvage Yard, Mojave Desert, California. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.

This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I used a handheld LED flashlight to illuminate the automobile, and then used it with a homemade snoot to hit the front headlights to make them glow a bit more while the camera shutter was open for a long time. This is not a post-processing creation. No pixels were harmed during the creation of this photo. 😀

I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken

Nikon D610/14-24mm f/2.8, 184 seconds total @ f/8 ISO 200. Oct 2016.

#kenlee #fotografianocturna #pinturadeluz #abandonado #MyRRS #feisol #noche #luna #moon #ruins #urbex #urbanexploration #desert #awesomeearth #awesomeglobe #beautifuldestinations #WeOwnTheNight_CA #shutterbugpix #edsel #nikon #mojavedesert #pearsonville #‎nightphotography #‎night #‎lightpainting #‎abandoned #‎california

Photographed with Tim Little, Steve McIntyre, and Troy Paiva.

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!

Chicken Shack – Night Photo

Click on the photo to see it larger and more clearly, thanks!

4762_kenlee_2016-10-14_0203_barstow-143sf8iso200-halloransprings-shack-1000pxChicken Shack (4762)
Shack in the Mojave Desert near Halloran Springs. Illuminated by a handheld ProtoMachines LED2 flashlight and a full moon.

This is a real photo taken at night. This evening, everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the structure with a handheld LED flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. 😀

I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken

Nikon D610/14-24mm f/2.8, 143 seconds @ f/8 ISO 200 Oct 2016.

#‎nightphotography #‎night #‎lightpainting #‎abandoned #‎california #kenlee #fotografianocturna #pinturadeluz #abandonado #MyRRS #feisol #noche #luna #moon #ruins #urbex #urbanexploration #desert #awesomeearth #awesomeglobe #beautifuldestinations #WeOwnTheNight_CA #shutterbugpix #nikon #halloransprings #mojavedesert

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!

Flushing Out The Moon – night photo

 

4696_kenlee_2016-09-10_2326_mtpinos_outhouse-moon_168sf63iso500-1000px

Please click on the photo to view it larger and more clearly!  Thanks!

Flushing Out The Moon (4696)
There’s no reason to photograph some of the things I do. 😀 Camping
under the stars. I went camping with my girlfriend and some friends at
Mount Piños, CA, near Frazier Park. The campground, McGill, was at
about 7500 ft/2286m. Clean mountain air, beautiful pines,
onion-cheese-jalapeño soup with sourdough bread, burgers, Coronas with
tons of limes, lots of talk and fun, and a half moon to light the
night.

Geek stuff: Nikon D610/14-24mm f/2.8 lens. 168s f/6.3 ISO 500. 14-24mm
f/2.8 lens. 2016-09-10 22:26.

#stars #astrophotography #mtpinos #pinos #astronomy #milkyway #nature
#night #pinetrees #venturacounty #mountain #nightsky #kenlee
#stargazing #vialactea #lightpainting #nightskyphotography
#astrophotography #longexposure #nikon #feisol #MyRRS #findyourpark
#protomachines #lightpainting #largaexposicion #pinturadeluz
#longexposure #awesomeearth #awesomeglobe #beautifuldestinations
#WeOwnTheNight_CA #shutterbugpix

Equipment:  Nikon D610, Nikkor 14-24mm f/2.8 lens, Feisol tripod.

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!

 

Photo: Samuelson’s Rocks (long exposure night photo with light painting, Joshua Tree National Park)

9894kenlee2016-03-25_2225_251sf8iso200_joshuatree_samuelsonsrocks-1000px 9906kenlee2016-03-26_0033_386sf8iso200_joshuatree_samuelsonsrocks-whereinhelldiditgo_redlightpainting-1000px9895kenlee2016-03-25_2244_306sf8iso200_joshuatree_samuelsonsrocks_facingeast-natureisgod-1000px

Another fun mile-long walk in the dark of night across the desert to photograph this area, with some fascinating carved rocks left by a former miner and rancher in the 1920s. I am grateful to my handy GPS, and not so grateful for the cactus that nailed me on the return trip. 😀

John Samuelson was a miner and rancher for the Keys Ranch. In the 1920s, he built a cabin and began carving messages into the rocks nearby in what is now Joshua Tree National Park. He eventually moved to Los Angeles with his wife, where he then killed two people in Compton. He was declared insane, but later escaped from the hospital. Illuminated by a ProtoMachines LED2 flashlight and a full moon. 251 second exposure. The photo shows the movement of the stars over a long period of time, created by the movement of the earth. This is not a post-processing creation. No pixels were harmed during the creation of this photo. 😀

There are eight rocks with carvings on this hill. Yes, I found all eight.

~~~and now, my horrible Spanish!~~~

Otra diversión a pie por 2 km de largo en la oscuridad de la noche a través del desierto para fotografiar esta área, con algunas rocas talladas fascinantes dejados por un antiguo minero y ganadero en la década de 1920s. Agradezco a mi GPS, y no tan agradecido por los cactus que me clavó en el viaje de regreso. 😀

John Samuelson era un minero y ganadero para el Keys Ranch. En el 1920s, el construyó una cabina y comenzó a tallar los mensajes en las rocas cercanas. Con el tiempo se trasladó a Los Ángeles con su esposa, en la que luego mató a dos personas en Compton. Fue declarado loco, pero más tarde se escapó del hospital. Iluminado por una linterna LED 2 ProtoMachines y una luna llena. 251 segundos de exposición. Esta foto muestra el movimiento de las estrellas durante un largo período de tiempo, y se crea por el movimiento de la tierra. No es una creación de post-procesamiento. No hay píxeles fueron perjudicados en la creación de esta foto. 😀

Hay ocho rocas que tienen tallas en esta colina. Sí, he encontrado todo.

Ken Lee Photography
Joshua Tree National Park, CA, USA/EE.UU.

#joshuatree  #lightpainting  #fotografianocturna #pinturadeluz #desert  #kenlee  #nightphotography  #MyRRS  #california   #desert   #night   #noche   #stars   #nature   #estrellas #starwalk   #nightscape  #nocturna #largaexposicion #findyourpark #samuelsonsrocks   #messages   #johnsamuelson   #nationalpark   #JTNP   #joshuatreenationalpark #awesomeearth #awesomeglobe #beautifuldestinations #WeOwnTheNight_CA #shutterbugpix #nikon

VISIT ME, VISIT ME!
You can see more of these photos here  on my Ken Lee Photography Facebook Page (poke your head in, say hi, and “like” the page if you would, uh, like), on 500px, or my Ken Lee Google+ Page. We discuss long exposure, night sky, star trails, and coastal long exposure photography, as well as lots of other things, so I hope you can join us!

And you can go to the Ken Lee Photography website, which has more photos from Ken Lee.  Thank you very much for visiting!